Argentine writer Jorge Luis Borges scribed inventive labyrinthine tales which delve into arcane metaphysical worlds. One of the key themes Borges explores is infinity – this theme is a key element of his short story‚ The Library of Babel. In this story, Borges creates a universe (the Library) which is comprised of an indeterminate and perhaps infinite number of hexagonal galleries.
Something of this spirit seems to animate Argentinean football philosophy. The manager of their World Cup winning team of 1978, Luis Menotti, stated that ‘a team is above all an idea’. A football team is therefore more than a collection of situated components (players) that are understood with reference to their positioning in finite space. Instead, the team is a transcendental, emergent entity that meets an ideational standard.
Argentina’s current coach is controversial genius Maradona. His management of the team prior to World Cup 2010 was vaguely Borgesian in that he used an interminable number of players (more than 100) in qualifiers and friendlies. Exploring such a multitude of possibilities has enabled him to realise his idea of team and it accommodates the attacking talents of Higuain, Messi, Tevez and Di Maria. A fluid, vibrant ethic demonstrates that a team is more than the fixed positioning of players within a coordinate system – a team should promise the infinite! As Borges almost states in The Library of Babel: ‘The football team is a sphere whose exact centre is any one of its players and whose circumference is inaccessible.’
The English approach is more about the bottom-up construction of a material entity than the realisation of an idea. The aim is not to meet an overarching ideal, but simply about placing the best players in their best positions. This means that the team is viewed as a machine which will function if the parts are properly aligned: for England, therefore, the key concern is the arrangement of a mechanistic team’s components.
Italian coach Fabio Capello has endeavoured to reconcile the English approach with the requirements of international football. As he has adopted such a mechanistic philosophy and framework, Capello has the task of mending a machine rather than developing an ideal: the requirement is thus to bend and flex the materiality of the team into a form which can measure up to opposition sides. Back in January WCC noted that England were playing well under Capello, but that mechanical rather than organic solidarity had been attained. The shortcomings of the side had been addressed, but by hammering the parts into shape and papering over the mended area. And mechanical malfunction has followed, with Capello’s best efforts rendering the England side a skewed 4-4-2 with Gerrard moving infield from left-midfield to compensate for England’s lack of presence in central areas. There is no adherence to a transcendental notion of team – just the objective to rearrange the components into a functional mechanistic process. So when the team fails to function it ends up as a warped rhombus, rather than absolute space populated by an infinite number of hexagonal galleries!

The appointment of Raymond Domenech as England coach surprised many following Fabio Capello’s departure back in 2010. But the FA have been vindicated in making this controversial appointment, and also for sticking with him following the disastrous Euro 2012 qualification campaign in which England finished bottom of their group below Luxembourg and Faroe Islands. In addition England fans and pundits demonstrated equanimity and patience towards the coach, figuratively putting their hands up and stating, “Rome wasn’t built in a day, let the man get on with his job.”
Yes: The penalty shoot-out presents one of the biggest shortcomings of contemporary football. Penalties used to be a last resort to resolve matches, but now they seem inevitable almost from kick-off. Teams often prefer to hold on for a shoot-out rather than expose themselves defensively by chasing victory. The last World Cup final provides a clear example. With France and Italy at 1-1 by half-time, a penalty shoot-out seemed a virtual certainty long before the final whistle.
No: Penalties may be something of a contrivance, but why replace them with another contrivance: the elevation in value of the corner-kick. Whilst it may not seem equitable to award games on penalties after a hard fought fixture, the shoot-out is still a test of skill and nerve, so isn’t completely distinct from the requirements of the open game.